Flat

Israel is demolishing Gaza City’s high-rise towers,
flattening entire blocks that once housed thousands of people.

Aljazeera, September 12, 2025

Pancakes are flat, and driveways, and dimes.
Only a nice flat rock is good for skipping on a lake.
I grew up in the flatlands, corn and soybeans, soil rich and black.
My Dad, once and always a Marine, sported a flattop haircut.
I’ve got a photo, old school, of a little girl, totally flat affect. Now she’s my wife
gives me that flat look sometimes.

I used to root for Joe Frazier
he knocked Muhammad Ali flat.
Smoking Joe was the champ
until he got nothing but flattened
by big George Foreman.

But a city
tall buildings, schools and playgrounds, hospitals and
restaurants, fertile ground of olives trees, eggplants,
tomatoes, 5,000 years of history, ancient mosques, churches.
Not a city.

Images stream on my phone.
The green of parks, gardens, trees
grayed under concrete dust.
Schools awaiting imaginations yet to be imagined
intentionally imploded.

Walls containing empty spaces once filled
by laughter, tears, dreams crumpled
in plumes of smoke.

Treasures someone longs to return to:
cooking pans, stirring spoons, favorite chairs,
a dusty photo–of a man with a large moustache
smiling, a baby in his arms.

Billy Easton is an emerging poet who took up poetry writing a few years ago after retiring to Portugal from the USA following four decades of movement organizing for racial and economic justice. He likes to write poems that open a kernel of life with a twist, poems where he finds discovery, poems that connect the mundane with the consequential. Or whatever moves him. He has been published in the anthology Made from Midnight: A Requiem and forthcoming in Writers Resist. Over the years he has published many op-ed articles in publications ranging from The Nation to the New York Times. Read other articles by Billy.