Legalizing Love

The problems with legalizing love
multiply when humans are involved,
now invoking powers from above
to deal with times when push comes to shove
and reveal what has not been resolved.

Although it does not work all the time,
the powers above have ordained two
people as eligible to climb
the altar and share for a lifetime
a love that will constantly renew.

The laws recognizing love so sweet
have also been forced to codify
relationships they wish to delete,
admitting to amorous defeat,
creating a need to modify

arrangements put in place to endure
troubling times, unexpected hardship,
and anything that sullies the pu-
ri-ty couples had hoped to ensure
without worrying that it would slip

away, with bank accounts and the kids
all left dangling precariously,
in danger of landing on the skids,
and when all is said and done forbids
all chance of hope. Now seriously,

these complications have not deterred
brave lovers from adding even more
people to this stew already stirred
into a mix that now seems absurd:
not just two, but three or even four

husbands and wives, partners or spouses,
whatever terms they choose, as lovers
living together in their houses,
listening when one of them grouses
and the situation then hovers

on the brink of a catastrophe
with five, six, or even a dozen
creating a new theosophy
(the human heart in hypertrophy)
that centers on feelings and does in

old ways of thinking that would preclude
all of these people now together
sometimes fully clothed or in the nude
hoping that no one ever gets sued
for breaking off the legal tether

now binding improbable families.
But wait. Should we really disparage
lovers who create, like hives of bees,
unions that could even cross the seas
till all people are in one marriage?

Marco Katz Montiel composes poetry and prose in Spanish, English, and musical notes. He went to college late, and then alienated one university by publishing about bigotry on campus and got kicked to the curb by two others for his union activities. Still, Marco managed to graduate and even publish a book on music and literature with Palgrave. His essays, poems, and stories appear in Ploughshares, Jerry Jazz Music, English Studies in Latin America, Copihue Poetry, Camino Real, WestWard Quarterly, Lowestoft Chronicle, Dissident Voice, and in the anthologies Cartas de desamor y otras adicciones, There’s No Place, and the Capital City Press Anthology. Read other articles by Marco Katz, or visit Marco Katz's website.