Strangers

This diner has a lot of windows,
the sun creeps onto the table where
I write, splashing into my eyes.
Too much sun always bothered me,
like Meursault in The Stranger,
who knows where this could lead?

A pop song plays, a female vocalist,
some chatter around me, a women gasps
at some news she’s been told.
I look out the window at a group of clouds,
everything temporarily gray, a smokestack
belches white into the December sky
and a lone student walks across a school yard parking lot.

And I think of the people I know,
some of them almost strangers to me now,
the ones who cling to a false
narrative of a democracy that hides
the lies better than the other side,

the ones who avoid any conversation
of genocide by sticking to corporate news,
like ostriches with their heads in the sand.

A car drives by in a blur, then another
and I’m out the window again,
imaging something better,
something with teeth, something real,
and the sun hits me again and I type
the next line blindly.

Kevin Carey’s books include the poetry collections: The One Fifteen to Penn Station, Jesus Was a Homeboy, Set in Stone, the co-written Olympus Heights, and the collaboration Revere Beach Stories: Poems and Photographs, and three books of fiction: The Beach PeopleMurder in the Marsh and Junior Miles and the Junkman which won the Paterson Prize for Books for Young Readers and has been chosen for the Pen Faulkner Writers in the Schools Program in Washington, DC. Kevin is the co-founder of Molecule: a tiny lit mag and a recent finalist for the Montana Prize in Fiction and the Jean Pedrick Chapbook Prize from the New England Poetry Club. He recently co-directed and produced a new film, a murder mystery comedy, MFA: The Terminal Degree which has been selected for the LA Film Awards. Read other articles by Kevin, or visit Kevin's website.